jasonderoga86: The O.G. Lil' Hero Artist (Default)
This was a REALLY pleasant surprise. And it's the one time in damn near forever that I'm actually going to a movie theater for an MCU film, as will my homeboys. Trust me, that is saying something. If we're lucky, this'll be what saves the current phase of the cinematic universe and possibly Marvel's image and legacy from going to shit. 

And as for the fans of Ryan Reynolds and Hugh Jackman, this is indeed their last hurrah portraying Wade Wilson and Logan, respectively. But it's sure to be a great sendoff, especially for Hugh Jackman fans... because this time, he finally completes the classic suit. As in, ALL of it. (Okay, it could be A.I., but it still looks pretty legit to me. We'll see.)

Deadpool & Wolverine, 'fo 'sho this coming July. Let's fuckin' go.
jasonderoga86: The O.G. Lil' Hero Artist (Default)
Looks like Marvel and DC have not only dealt the deathblow to the American comics industry in story development and character integrity, but also to the business end of things. Comic bookshops are closing up at a breakneck pace primarily due to mountains of unsellable back order boxes taking up more space on the shelves and generally the stores themselves than actual new product, and since the new product consists mostly of Marvel and DC stuff that lacks what made it great for so long, nobody's interested there, either. Their respective cinematic universes are flailing right now, breathing what could very well be their last (well, DC's live action film universes more than Marvel's; the DCEU bled out dry with a whimper, it seems). The other big piece of the comics business world is distribution. For decades the only "legitimate" distribution method for comics has been Diamond Comics Distributors, due to their near-full reach of comic bookshops nationwide and worldwide. In the early 2000's Diamond secured an oligopoly over the market by vicariously promoting Big Two comics, as the Big Two's respective brand values provided a near-infinite potential for making big bank. As a result, only the Big Two could meet the sales threshold Diamond required of them to be listed in their Previews catalog, with was then monthly solicited to comic bookshops to get an idea of what would really sell. Othe publishers like Image Comics, Dark Horse Comics, and Oni Press have a harder time getting into Previews due to inferior brand value compared to the Big Two, thus it's MUCH harder for them to reach the sales benchmark, and they get much smaller ad space. Small publishers aren't even considered, since they have basically no brand values in Diamond's eyes. And the worst part is the market itself that Diamond uses, called the "direct market". This distro model runs on a nonreturnable basis, meaning unsold product can't be sent back to Diamond. Even a huge stock of a comic or comic series that totally flopped in sales has to be logged away into a "back order box" for storage. That's why real bookstores don't take in comics from any publisher; if they can't sell the product, they can't send the unsold stock back to Diamond for a payment in exchange, their stuck with the magazines. As they'll likely sit on the shelves forever, blocking space that could be used for actually sellable stuff, the store owners would have no choice but to destroy the unsold comics. It's really a terrible business market, but a lot last it's starting to prove inefficient and is dying out while new distributors are popping up, and they have returnability options for all bookstores, not just comic bookshops. The only difference is that retail bookstore chains -- like your typical Barnes and Noble -- will accept only bookbound comics/trade paperbacks/graphic novels.

Overall, though, the Big Two has controlled the industry for long enough; all this trouble isn't worth a comic, even one with a "variant" cover, especially now that single issues are marching towards $5. 24 pages of story and art, and the other 12 ages for advertising. None of that will last. People are also out there warning about still investing in Big Two comics due to the lack of gold storytelling from both of them. I, in particular, haven't bought a Big Two book in forever, I'm always looking into the next new talent, Scholastic Graphix's Amulet (also the carriers of the colored version of Jeff Smith's BONE) is reportedly ending this year, and it's done extremely well in the market, along with the six-part Scott Pilgrim series from Oni Press, which sprouted a live-action film adaptation and video game, with a newly released animated spin on the original books using Bryan Lee O'Malley's iconic style and featuring the cast of the film, each of them reprising their roles (didn't think Chris Evans could play the leather jacket-wearing motorcyclist/skateboarder "pop culture icon" attitude, but it came out pretty well; Captain America is a handful on his own, but a "stunt team" full of Caps is kinda overkill...).
 
I don't know what the Big Two intend to do with their intellectual properties at this point; their entire lineup of characters has been mutated in so many ways with race/gender swapping and a stubborn and all too predictable custom of rebooting everything after short and confusing story arcs -- there is literally no incentive to pick up the universe-bending conclusion to a "Heroes Together vs. Universal Calamity"-type story because it was already that everything'll be sugar and rainbows in the end. The cinematic universes are starting to follow suit; with the MCU in particular, The Infinity Saga DID have real stakes, and characters who were killed off actually STAYED dead (i.e., Loki in Avengers: Infinity War and Natasha Romanoff/Black Widow and even the saga's villainous mastermind Thanos in Avengers: Endgame). But The Multiverse Saga was doomed from the start; even Spider-Man: No Way Home fell victim to this by ultimately resurrecting many big villains from the Sony film series ("Raimi-verse" and "Webb-verse") and giving them a second chance at life, and Spider-Man's entire life ended up pretty much getting the reboot treatment too. Not to mention other heroes, antiheroes, and villains are being "reborn" into the MCU; The Fantastic Four film franchise wasn't exactly well-received, Rise of the Silver Surfer was highly anticipated, but turned out to be a dud. And I won't even bring up the reboot -- the fact that it was titled "Fant4stic" was a terrible design hook. But now another FF reboot is on the way, set to release in 2025 I think. But there may be another problem that currently exists within a problem; Jonathan Majors was fired from Disney/Marvel Studios last year following an assault conviction (filed by his ex-girlfriend), putting the rest of the Multiverse Saga in jeopardy. As of right now, there's still no word on the Kang the Conqueror situation -- obviously Majors was stripped of the role due to becoming a convicted criminal. Many (myself included) believe the role should be recast. But there's a (hopefully to be proven false) rumor going around that other villains might take his place and/or acquire the power Kang sought: a popular candidate floating around is Victor Von Doom, better known as Dr. Doom. But if that turns out to be true, how will Fantastic Four '25 factor into things?

Confusing as hell... 🤔😕

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